opens with the work of Mark Borthwick, whose analog
camera records people spending carefree time in the sun
with loved ones, followed by the photographs of Olivia Bee,
documenting memories and trivial emotions on ordinary,
clear days, and of Martin Parr, the legendary documentary
photographer who brings out beach scenes from a witty
perspective.

which explores climatic elements regarded as ‘bad weather,’ viewers
experience Yoshinori Mizutani's surreal images of soft snow falling on a
summer's day, and Evgenia Arbugaeva's works, which present the lives of
people living in the tough environment of the arctic from a romantic,
fairytale perspective.

The final section of the first chapter, the works of Marina Richter snatch dim,
fleeting moments, using photographs to question existence, while other
works explore narratives of dense darkness and dim nights.

All about the shades of blue found not in artificial pigments or materials
but in nature alone. Mustafah Abdulaziz's long-term project examining
the relationship between humanity and water, and Maria Svarbova's
series evoking subtle moods according to time of day, light and shades
of blue enhance viewers' visual perceptions of the environment.

Addresses the visual and tactile sensations of cloud and mist,
uses an installation combining multi-channel video and
physical mist to bring viewers into a thick fog, and poetic
objects in the Nimbus series of Berndnaut Smilde. While the
sky and mist awaken the senses of sight and touch

Ulrich Vogl's installations, which fabricate scenes created by projecting colors and wind onto nearby objects, are followed by Jari Silomäki's documenting and juxtaposing of
daily photographs with handwritten notes on global issues or personal thoughts, Kanghee Kim's creation of surrealist scenes by layering heterogeneous elements on the
same canvas, and Alex and Rebecca Norris Webb's records of melancholy weather and their own poetic writings; viewers pass from one set of works to another as if turning
the pages of a book. The final work here is Mark Borthwick's Abandom Reverie’, where viewers share nostalgia for past sunlight in a meditative space filled with analogue
slide images.